Week 4 Of DC: The New 52

The “Did Not Buy” Category

  • The Fury of Firestorm: The Nuclear Men
  • Green Lantern: New Guardians
  • The Savage Hawkman
  • Teen Titans
  • Voodoo

Gold Medal Winners

The Flash: I will admit that I was hesitant when I heard that the writing on this title was going to be done by the artist (Francis Manapul) and the colorist (Brian Bucelleto); only because I”d never read anything they’d written previously.  Some of the best writers in comic books started as artists, and artists tend to have a different perspective on writing and the good news is that this title is in extremely good hands with these two.  It was a great read.  What’s more interesting though is how Manapul has been translating “time” with his sequential storytelling techniques.  He’d begun doing this on the previous Flash title and he’s continuing it here.  Honestly, if you want to show someone how the narrative of comic books is different from any other medium, this is a title does that.  This is the type of title that gets used in college courses to show effective sequential art storytelling.  Manupal was already producing some of his best art on Flash and now it’s great to see him and Brian Bucelleto take “full” ownership of the title.

I, Vampire: please forgive me while I indulge in breaking my arm patting myself on the back.  Dan, my friend and creator of Red Light Properties, brought Joshua Fialkov to my attention over the summer when he told me to pick up Echoes.  So, when I saw that he was slated to write a title in the New 52, I was telling everyone I could that this would be the sleeper hit of the line.  And, it’s up there.  He setup a great “world” in which to play in with the vampire lore (and an excellent protagonist and conflict).  Most surprising was the artwork from Andrea Sorrentino, who is using a Jae Lee-style approach to this title.

Silver Medal Winners

All-Star Western: Justin Grey and Jimmy Palmiotti Jonah Hex stories have always been good,but the change they made with this title completely refreshes the character for older readers and provides a nice point of accessibility for the new.  The most shocking thing about this title was when I looked up artist Moritat and was presented with the knowledge that he’s not a French or Italian comic book artist, but rather a young American dude.  And to be clear, this guy can draw.  This title has some of the most inspired artwork of the new line.  Speaking of which, I honestly think that DC is missing something by not publishing All-Star Western in a quarterly graphic album format (pre-packaged for overseas sales).

Aquaman: so, Katy at the comic shop loves Aquaman, and this title let her down.  I only “like” Aquaman, and this title let me down too.  Had it not been for two thing, this would have been a gold winner.

  1. A scene with a hipster d-bag that was clearly supposed to be “meta” in terms of how comic book readers on the internet have no tact or manners (which, I do agree with, but there’s a time and place).  It was used to give character backstory, but it came across as extremely forced and extremely annoying.  This could have been done in other ways without the annoying aspects (like, he could have talked to the waitress about it).
  2. In the New 52, civilians think of Aquaman as a doofus.  Why call attention to that when the whole point is to reinvent characters with the reboot?  The mission statement is to make Aquaman cool again, so by saying it, Johns makes readers think it to be true.  And yet, it’s not true.  But the trap is that if you say something enough times, people think it to be true.  Which is why I wish that Johns would have played the character with the respect he deserves instead of the butt of jokes.  This completely distracted from all of the other good character moments in the title.

Because it’s Johns, I’m sticking with this title in the hopes that he pulls away from that and gives Aquaman his proper standing in the New 52.

Blackhawks: this title is G.I. Joe in the DC Universe (further compounded by the fact that the writer, Mike Costa writes G.I. Joe comics over at IDW).  And there is absolutely nothing wrong with that.  It’s a fine read.  Not great.  It’s good. It’s what I was expecting.

Justice League Dark: Peter Milligan is one of the best writers in comic books.  He wrote one of my favorite comic books of all time, Skin.  A comic that moved me like few others have.  He was one of the foundation writers that built Vertigo comic books in the 90’s and combined with his work on X-Statix, he can be considered one of the godfathers of modern comic book storytelling.  That said, I didn’t love this title out of the gate, but I did see enough ideas and concepts that Milligan was setting up where I feel that he’ll pay it off soon enough and I would like to stick around to see it happen.

Third Place

Batman: The Dark Knight

DC Universe Presents (Deadman): I gave this title a shot based on the writer, Paul Jenkins, but didn’t find much here.  I’ll sit this one out until the next character-arc in this anthology

Superman: I fear for the new reader who starts with this title, in that it is a very text heavy and quite dense.  I suppose one way to look at it is that the reader is getting their money’s worth…but I don’t see it that way.  George Perez is the writer and breakdown artist and this is the second time he has “rebooted” a core DC character (the first being Wonder Woman, post-Crisis).  He is one of the few writers working on the New 52 with this level of experience in “redefining” a character for a new age.

While the conflict that Perez establishes in the first issue is interesting, it’s not a direction that I personally care to read more about.  It’s similar to my review of Green Arrow.  I get enough of this type of content in other places and don’t care to read about it in yet another place.  That’s just me.  I’m sure that other readers will find the situations being presented to be exciting and it feels quite a bit like a modern take on the “Bronze Age” Superman stories.

I’d point you to The Signal Watch blog’s review of this issue for a great alternative take on this issue (he quite liked it).  What’s interesting is that I was going to stick with this title.  Ride it out to see if it could channel some of the Bronze Age goodness and get me interested.  The announcement on Friday that Perez is leaving the title with issue 7 made me reconsider this and I will be dropping the title.

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